Typography is a form of writing that deals
with the form, spacing and layout of words in the text of a displayed
communications message. It is a part of word-driven advertising that can be
seen in print advertisements. As advertisers are consistently seeking ways to
increase the influential power of their ads, they seek ways to match the ads
language, tone, visuals with the motivation and understanding of the consumer.
Typography is an executional element that aims to gain consumers attention; the
creative design art of writing demonstrates the importance of how messages are
presented (MacInnis, Moorman & Jaworski, 1991).
McCarthy and Mothersbaugh (2002) suggested
that typography has a significant effect on the consumer’s ability to read ad
copy. In a study by Moriaty (1982) on
trends of typography advertising, a full-page ad out of three different types
of magazines was used, 72 from general interest (readers digest), 86 special
interest (better homes and garden) and 11 trade magazines (business week). The
results suggest that special-interest magazine ads make the most use of
typography at 33% and general interest with 27%. Furthermore, several studies
have explored links between typography and brand perceptions. Walker, Smith and
Livingstone (1986) revealed that a particular typeface (font choice) would be
effective if it shared similar features to the product being advertised. For
example a sturdy or heavy type such as the font “Impact” is appropriate for advertising heavy
machinery.
A recent study conducted by Childers and Jass
(2002) examined the use and effect of typography in advertisements. The authors
illustrated an example of Johnson & Johnson brand logo and suggested that
the delicate curve lined font used represents it’s delicacy and elegance. They
concluded that typography can influence consumer brand perception and can be
used to gain attention, and create something novel and unique to create a
positive inclination towards a brand. It can also influence consumer motivation
and ability to process information.
Some successful examples of advertisements
using Typography
VANS Shoes |
KODAK |
TOYOTA |
Childers, T. L., & Jass, J. (2002). All
dressed up with something to say: Effects of typeface semantic associations on
brand perceptions and consumer memory. Journal
of Consumer Psychology, 12 (2), 93–100.
MacInnis, D. J., Moorman, C., & Jaworski,
B. J. (1991). Enhancing and measuring consumers’ motivation, opportunity, and
ability to process brand information from ads. Journal of Marketing, 55, 32–53.
McCarthy, M.S., & Mothersbaugh, D.L.
(2002). Effects of Typographic Factors in Advertising- Based Persuasion: A General
Model and Initial Empirical Tests. Psychology
& Marketing, 19, 663-691.
Moriaty, S.E. (1982). Trends in Advertising
Typography. Journalism & Mass
Communication Quarterly, 59, 290-294.
Walker, P., Smith, S., & Livingstone, A.
(1986). Predicting the appropriateness of a typeface on the basis of its
multi-modal features. Information Design
Journal, 3, 29–42.
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.