Both adverts in this a billboard battle possess
different templates. Stella Artois represents an example of using the
replacement version of the pictorial analogy template. This type of ad creates
a dramatic situation and then makes a substitution between the product and
another item with symbolic significance in order to illustrate the worth of the
product. In this case, the container (glass) is a major internal component that
features the product beer; whereas chalice was chosen as a symbol that features
in the consumer’s representation of the message: church. By assessing the message: bring the ritual
home, we understand that Stella Artois tries to replace a normal container with
a ritual garment in the hope that a feeling of ‘sanctity or ‘noble’ could be
created whenever people drink the beer.
Newcastle Brown Ale, owned by Heineken,
illustrates an example of adopting the competition template, typically the
attribute version. It questions the “chalice” concept, which is a product
attribute of their component. I personally do not think the Newkie Brown is
trying to do anything other than tease/sneer at the awful taste that its component
has especially when Stella Artois clearly tried hard to bring up a novel yet soon-be-popular
idea. The location that Newkie Brown chose (right beneath Stella Artois) adds
another solid evidence of following Goldenberg’s competition template: isn’t using
regular glass enough? Why Chalice? This is
about as straightforward a competition ad as you can get.
Goldenberg,
J., Mazursky, D., & Solomon, S. (1999). The Fundamental Templates of
Quality Ads. Marketing Science, 18, 333-351.
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