The problem and why it is important
Voter apathy is a problem in the United Kingdom, particularly among young people. Overall voter turnout has declined over the last few decades, from 84% in the 1950 general election to just 66.1% in 2015 (The British Psychological Society, 2016). Furthermore, young people are less likely to vote than older people. Voter turnout was just 57% for those aged 18-19 in the 2017 general election, compared to a turnout of 83% for those aged 70 or over (YouGov, 2017).
Voter apathy is a problem in the United Kingdom, particularly among young people. Overall voter turnout has declined over the last few decades, from 84% in the 1950 general election to just 66.1% in 2015 (The British Psychological Society, 2016). Furthermore, young people are less likely to vote than older people. Voter turnout was just 57% for those aged 18-19 in the 2017 general election, compared to a turnout of 83% for those aged 70 or over (YouGov, 2017).
The problem of voter apathy is important because, without
sufficient voter turnout, both elected individuals and their mandates lack
legitimacy. In order for democracy to function correctly and represent all
groups within the population, it is crucial to tackle the apathy among young
voters. This issue affects more than just general elections, also affecting
local elections and smaller elections such as the election of officers to
university student unions. We believe that the voter apathy visible through low
general election turnouts is reflective of a broader disinterest in politics
among young people, and this is what our project aims to tackle.
Who is the target audience and how is the project aimed at them?
The most accessible group of young people for our project to
target was Warwick University students. Research has identified a framework of
behaviour change which involves communicating more effectively to a target
audience by focussing on issues that are important to them (Fogg, 2009). We
recognised that the date for the next general election in the UK is 2022.
Therefore, in order to make our campaign most constructive during the target
timeframe, we decided to focus on increasing voting at the 2019 SU elections
held at the end of February.
We hope that by changing attitudes towards voting, the
individuals targeted by our campaign will increase their voting behaviour not
only in the SU elections but also in future political elections. Research suggests that past behaviour
influences future behaviour (Cialdini, 2009) and that the act of voting itself
can increase later voting behaviour (Coppock & Green, 2016).
What is the intervention?
We combined two forms of intervention, a poster and a video, in
order to access both the central and peripheral routes of persuasion as
outlined by the Elaboration Likelihood Model (Petty & Cacioppo, 1986).
The Poster
We designed this poster to be colourful and straightforward in
line with the persuasion techniques discussed below. The posters were put up in
multiple places around campus so that students will walk past them several
times, in order to increase exposure effects.
The Video
What techniques were used and why are they applicable to the
target audience?
The Poster
The word “indifference” is crossed out and corrected to say
“make a difference”. This design aims to highlight the juxtaposition between
the indifference of voter apathy compared to the difference that voting makes
on the outcome of democratic elections. Furthermore, we chose the word
“indifference” with the aim of creating a negative social norm around the
concept of voter apathy. The adjective “indifferent” was rated as abstract
rather than concrete according to the Sussex Affective Word List (Citron,
Weekes, & Ferstl, 2014), which contributes to its negative connotations
because research has indicated that abstract words are construed more
negatively than concrete words (Hills & Adelman, 2015; Yao et al., 2016).
Overall, the design of the poster is deliberately simple in
order to target the peripheral route of persuasion as described in the
Elaboration Likelihood Model (Petty & Cacioppo, 1986). In particular, we
felt that the peripheral route was suited to a poster about voter apathy
because the disinterest associated with low voter turnout (The British
Psychological Society, 2016) is likely to decrease an individual’s willingness
to pay attention to detailed arguments (Petty & Cacioppo, 1986). We felt
that the detail of our campaign would be better suited to a video format.
By placing the poster in many conspicuous places, we also aim to
increase the perceived positive subjective norms of voting through mere
exposure (Glasford, 2008). Fogg’s (2009) behavioural model outlines that if the
target audience is capable of engaging in the target behaviour then a simple
signal is sufficient to remind them to engage in that behaviour. The aim is
that through providing multiple signals to vote in the form of posters,
students will feel an implicit social pressure which will motivate them to
engage in the target behaviour of voting in the SU elections.
The Video
We designed the video both to work alone as a useful persuasion
tool, and also to complement the simplicity of the poster design. Videos can be
easily shared through social media, increasing the exposure of our campaign. We
utilised techniques from advertising and marketing research in order to
increase the positive reception of our video. Through sharing the video on
social media, we aim to meet Fogg’s (2009) recommendation for increasing
audience engagement through maximising the possible reach and exposure of the
campaign.
The style of the video is informal, showing a person’s hand,
writing critical pieces of information on sheets of paper. Research has found
that students engage more positively with informational videos that are
lower-budget and have a more personal feeling than high-end studio-produced
videos (Guo, Kim, & Rubin, 2014).
Furthermore, this research also found that videos featuring a “Khan Academy”
drawing style are more effective than those with Powerpoint slides; therefore,
we decided to use a handwritten and hand-drawn style for our video.
The background music is upbeat yet does not distract from the
message. We chose to use cheerful music in the background because advertising
research has found that music can peripherally lead to a positive attitude
about the conveyed message (Stout & Leckenby, 1988), and can affect related
behaviour, for example increasing purchasing behaviour as a result of consumer
advertisements (Gorn, 1982). We hope to utilise this technique in order to
increase how positively our audience receives the campaign message to increase
voting in the SU elections.
Finally, our video expands on why voter apathy is a critical
issue, providing a complete argument to persuade our audience to vote at the SU
elections. In the video, we have focussed on aspects of the SU elections which
are favourable and relevant to the student community, such as online
accessibility, and how the outcome of the vote can directly affect their
student experience, for example through welfare decisions. In this way, the
video follows Fogg’s (2009) framework for effective communication with the
target audience by focussing on the issues that are important to them.
Overall, our campaign design utilises both the central and
peripheral routes of persuasion, through a video and poster respectively. We
have maximised our campaign reach by sharing the video on social media and
placing the poster in numerous conspicuous locations around campus. Our aim is
not only to increase voter turnout at the SU elections this year, but
furthermore, we hope to change the attitudes of the student body in order to
increase their voting behaviour in the future as well.
References
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Citron, F. M. M., Weekes, B. S.,
& Ferstl, E. C. (2014). How are affective word ratings related to
lexicosemantic properties? Evidence from the Sussex Affective Word List. Applied Psycholinguistics, 35(02), 313–331.
Coppock, A., & Green, D. P.
(2016). Is Voting Habit Forming? New Evidence from Experiments and Regression
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(2016). Behaviour change: Voter apathy.
Retrieved from
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