Yamamay, an
Italian lingerie company used the advertisement above to attempt a goodbye to
Berlusconi, in an distasteful manner. In 2011, the Italian Prime Minister
Silvio Berlusconi resigned as prime minister of Italy. At that time, he also had many court
appearances ahead of him, including some to respond to underage prostitution
allegations.
This advertisement
by Yamamay, including a topless, smiling woman, has the tagline “bye-bye Mr.
President!”, referring to Berlusconi’s departure. The background is sparkly
pink, with the model holding a small dog in a Santa hat, the ad attempts to
create a cute image overall. It appears as though the ad is trying to make
light of a serious situation. However, Berlusconi’s charges are anything but
light, as he faced accusations that he may have had a sexual encounter with a
17-year-old (this is underage according to Italian law). This ad appears to implicitly
support the sexist culture fostered by Berlusconi.
Yamamay's advert attempts to use humour to advertise their product. The effect of humour in advertisements was tested by
Duncan, Nelson, Frontczak (1984). In this study, one hundred and fifty-seven male participants
listened to four basic commercials. The commercials each contained four primary
selling propositions (PSPs) and were all the same in factual content and approximate length, but
different in structure. Commercial A presented humour before the four
PSPs. Commercial B included humour after presentation of the first three PSPs,
but before the fourth. Commercial C was identical to commercial B, however
participants heard the PSPs before being exposed to humour. Commercial D was
identical to C however contained no humour. Participants were then given a
questionnaire, including a question of unaided recall of the four PSPs. They
were also given Likert statements that included measures of humour. The results
showed that perceived humour aided recall. It was found that humour improves commercial
comprehension.
However,
it has also been found that humour attempts considered
to be offensive by the audience can be counterproductive to persuasive goals
(Weinberger & Gulas, 1992). Which I believe is the case in this advert.
Duncan, C. P., Nelson, J. E., & Frontczak, N. T. (1984). The
Effect of Humor on Advertising Comprehension. Advances in Consumer Research,
11, 432-437.
Weinberger, M.G., & Gulas, C. S. (1992). The impact of humour in
advertising: A review. Journal of Advertising, 21(4), 35-59.
Well done.
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